copperfyre

I use the same name everywhere so I am

beatrice_otter on AO3. Treats are awesome.

I would rather get a story you were happy with than "well, she said she liked x, so I guess I have to do x even though I don't like x and/or am not inspired that way." This letter is long with lots of suggestions and preferences if you find it helpful, but feel free to ignore it if it is not helpful. I'm fairly easy to please; I've been doing ficathons for over a decade and am usually very happy with my gifts.

The most important thing for me in a fic is that the characters are well-written and recognizably themselves. Even when I don't like a character, I don't go in for character-bashing. If nothing else, if the rest of this letter is too much or my kinks don't fit yours, just concentrate on writing a story with everyone in character and good spelling and grammar and I will almost certainly love what you come up with.

I have an embarrassment squick, which makes humor kind of hit-or-miss sometimes. The kind of humor where someone does something embarrassing and the audience is laughing at them makes me uncomfortable. On the other hand, the kind of humor where the audience is laughing with the characters I really enjoy.

General Likes and Dislikes

other things to keeep in mind:

I like stuff that takes side characters and puts them center-stage, especially when the characters and/or actors are marginalized. I enjoy seeing them come to life.
I don't like it when marginalized characters get relegated to the sidekick/supporting/helper role so that it can be All About The White Dude.
I like it when female characters are more than just the Strong Female Character(tm) or The Nurturer.
I like fluff
I like angst with a happy ending
I like stories that make me think about things in a new way.
I like to know that culture matters to people, and to see how different cultures interact and where the clashes are.
I like unreliable narrators.
I like acknowledgment that different people can have different points of view without either of them being wrong.
I like stories that engage with problematic aspects of the source, and which deal with privilege in one way or another instead of sweeping it under the rug.
Worldbuilding is my jam, I am pretty much always up for explorations of why the world is the way it is. I love hearing about the economics, the politics, the religion, the clothing, the history, the folklore, all of that kind of stuff. And I want to know why it matters--how is all this cultural background stuff affecting the characters, the plot, everything. You don't have to do deep worldbuilding, but I'll enjoy it if you do.
I don't like it when plots hinge on characters being selectively stupid, or selectively unable to communicate. Like, if they are stupid or a himbo or whatever in general, or have problems communicating in general, that's fine! Or if they canonically have a blind spot in that area, again, it's fine. But if it's just "the only way I can think of for this plot to work is if the character spontaneously and temporarily loses half their intelligence and competence," then I'm going to spend the rest of the fic wondering why the character didn't just ____?
I like AUs, but not complete setting AUs (i.e. no highschool or college or coffee shop AUs, and especially not mundane AUs--nothing where you keep characters but drop most of the worldbuilding). I like fork-in-the-road type AUs, where one thing is different and the changes all result from that one thing, and you explore what might have been if such-and-such happened.
I like the concept of sedoretu marriages.
I like historical AUs, but only when the author actually knows the history period in question and does thoughtful worldbuilding to meld actual culture of the time with the canon.
Crackfic is really hit and miss for me, sometimes I love it and sometimes I can't stand it. Basically, if it's the characters we know and love in a ludicrous situation, that's great. If they're OOC or parodied in order to make something funny ... it's not funny to me.

I like plotty, gen stories, and plotty stories in general. I don't care for explicit sex, particularly when it's just thrown in for teh porn. I'm asexual; a lot of the time I don't even bother to read the sex scenes. Romance is awesome (as long as both are in character and the romantic plot doesn't hinge on one or both of them being an idiot). I love it when friendship is held up as important and not secondary to romantic relationships and blood ties.

Please no incest or darkfic. I define "darkfic" as stuff where there's a lot of suffering and no hope even at the end and all the characters are terrible. Angst with a happy ending is fine, I enjoy it, but there's gotta be a payoff. Even an ambiguous ending is fine! But there has to be some note of grace or redemption or hope somewhere, it can't just be "people are awful and the world sucks, the end." I define incest as siblings and/or parents, cousins don't count.

I love outsider perspectives and academic takes on things. In-universe meta (newspaper articles, academic monographs--especially with the sort of snarky feuding common in actual real-world academia, social media feeds in current day or future worlds) is awesome.

Also, I'm picky about European historical clothing details. You don't have to talk about it at all! In fact, if you don't know much about historical clothing, I would prefer if you didn't mention it at all. My pet peeve is corsets: no, they weren't a restrictive tool of the patriarchy, no, they didn't interfere with most women's daily lives, no, most women weren't wearing them so tight they couldn't breathe.

I like religion but I'm picky about it. Basically, Christianity is deeply weird compared to most other religions, and a lot of people whose only experience with religion is living in a culturally-Christian nation assume that what they know about Christianity is some sort of universal principle of What Religion Is Like, and that's just not the case. For example, in Christianity what you believe is more important than what you do. This is not to say we Christians don't teach and practice Christian ethics or have rituals we are very attached to, but rather that if you don't believe in Jesus Christ, it doesn't matter what rituals you participate in or what ethical things you do, you are not a Christian (although you may be a "cultural Christian"). Every Christian group has at least a minimal core theology that members must affirm, but participation in ritual is far less rigidly a requirement. Most other religions rank what you do (both ethically and ritually) as more important than what you believe, and it is often quite possible to be a member in good standing if you participate in the practices and rituals even if you believe none of the teachings. Anyway, point is, if you are doing worldbuilding for a fantasy or SF or otherwise non-Christian religion ... unless it is explicitly a Christian-analogue, it should be different from Christianity. Question your assumptions and see where that leads you, and I will be fascinated and thrilled.

( Fandom For Robots )

( Rivers of London )

( Goblin Emperor )

( DS9 )

( Star Wars Legends )

( Enola Holmes )

( Babylon 5 )

( Enterprise )

( TNG )

( Sense8 )

snickfic

- "I am definitely not signing up for

ficinabox," I said, and then promptly wrote most of a letter. I now have a request I can match to and spent the morning making a list of other requests that I could swap for. I've submitted a swap request, maximum two swaps of 2k each, but there's time to change my mind before swaps close.

- The Kinktober prompts are out. I have managed to write like one kinktober fic ever, plus October is the WORST month for this when I'm also working on FIAB and Yuletide treats and watching all the horror movies, and yet. You know what ship I want all the kinks for, all the time? It's Gallaghercest. I've made a list of all the kinks from this year that I think would be the most fun for them, and I think maybe I will try to post... one a week? That seems like something I could do.

- Speaking of the Gallaghers, I have almost 7k of reunion... vignettes? At this point there are enough of them that maybe it's just a story, lol. I keep pecking away, and words keep happening.

osprey_archer

What I’ve Just Finished Reading

Ruth Goodman is always a good time, and her book How to Behave Badly in Elizabeth England: A Guide for Knaves, Fools, Harlots, Cuckolds, Drunkards, Liars, Thieves, and Braggarts is no exception to the rule. It does what it says on the tin, except for “Elizabethan England” read “England from the time of Elizabeth up to the Civil War (with brief excursions before and after),” but I suspect that the publishers believed, correctly, that their title would sell more books.

A fun fact: quoting Shakespeare would have been seen as proof of boorishness, as it showed that you spend time at the theaters down by the bear-baiting pits and the whorehouses, like a COMMONER. I also very much enjoyed the advice manual for young noblemen in service, which begged them to “try not to murder people.” You might think that goes without saying, but nope!

Jacqueline Woodson is also always a good time, although often in a mild to moderately heart-wrenching kind of way. Peace, Locomotion is an epistolary novel, told as a series of letters from a 12-year-old boy (nickname Locomotion) to his younger sister. They’re both in foster care following the death of their parents in a fire a few years ago. A book with sad moments but not overall a sad book; I particularly enjoyed Locomotion’s journey as a poet and his poetry. (There’s a companion novel-in-verse. Woodson is one of the few authors I trust with a novel-in-verse.)

Warning: you will walk out of this book with the song “Locomotion” stuck in your head.

Jane Langton is much more up and down than either Goodman or Woodson, but I’m happy to say Paper Chains is one of the ups. Evelyn has just started college, and the novel alternates between traditional narration and Evelyn’s never-to-be-sent letters to her PHIL 101 professor, on whom she has a swooning freshman crush. A good mix of college hijinks and intellectual discovery. Just kind of stops rather than having a real ending, but it works well for the story, which is very much about beginnings.

What I’m Reading Now

Onward in Gaskell’s Gothic Tales! We just had one of Gaskell’s trademarked “three people of three different faiths get together to deal with a problem, and it’s good for them all!” scenes. (Okay, I’ve only run across this twice in her work, once here and once in North and South, but it’s an unusual recurring theme.)

What I Plan to Read Next

I’ve decided it’s time for another Aleksandr Solzhenitsyn. I’ve already read A Day in the Life of Ivan Denisovitch and all three volumes of The Gulag Archipelago. What should I read next?

sholio

It's that time of year. :D

Whumptober 2025 prompts list on Tumblr and text list on Google docs.

( Full prompt list and alternates )

Happy to hear any suggestions, requests, or ideas/inspiration! (Results not guaranteed.) I will probably be looking at writing Biggles, Murderbot, and Babylon 5 for this, and I already have specific thoughts on a few of the prompts, but I'm happy to hear any thoughts or suggestions that you have.

sholio

I won't sign up for more exchanges, she said, before being tempted by exchanges. Although this is more a broad smorgasbord of things I'm currently being tempted by.

I'm probably not signing up for Sex Pollen Exchange despite being very tempted. I love the trope, but I suspect signing up to write it for other people would be a great way for my brain to decide it had never seen a sex pollen in its life. (Signups close Aug. 31.)

I'm definitely not doing

ficinabox this year (signups 'til Aug. 31) because I'm definitely not up for 10K right now, but I wish the best to all who are throwing themselves on that pyre!

One thing I actually am seriously thinking about signing up for is Out of Order Exchange, a semi-flash exchange for non-linear fic. Currently taking nominations, and the signup window is tiny (Aug. 29-Sept. 1), then there's a 2-week writing period. I just think it sounds like a fun challenge (300 word minimum, 1 fandom minimum for requests/offers).

I also did sign up for

fandomgiftbasket, which is taking signups until Sept. 5. This one has no requirement to create anything; you can simply leave prompts (3 fandom minimum) and receive gifts. They do have a tendency towards delays if they have trouble filling all the baskets.

And this year's Whumptober prompts are out! (There is also a Whumptember challenge, because of course there is.) This is like the WORST year to try to write all the Whumptober days, because I have a lot going on that month, but I am so tempted to at least give it a try.

muccamukk

Watch on YouTube

Obsessed with the guitar here, for real.

rachelmanija

Full letter to come!

Thank you for writing for me! If you have any questions, please check with the mods. I am a very easy recipient and will be delighted with whatever you write for me. I have no special requirements beyond what's specifically stated in my DNWs. I'm fine with all POVs (i.e., first, second, third), tenses, ratings, story lengths, etc.

My AO3 name is Edonohana. I am open to treats. Very open. I love them.

I like hurt-comfort, action/adventure, horror, domestic life, worldbuilding, evocative descriptions, camaraderie, loyalty, trauma recovery, difficult choices, survival situations, mysterious places and weird alien technology, food, plants, animals, landscape, X-Men type powers, learning to love again or trust again or enjoy life again, miniature things or beings, magic, strange rituals, unknowable things, epistolary fiction, found footage/art/creepy movies/etc, canon divergence AUs anf alternate versions of characters. I particularly love deadly/horrifying yet weirdly beautiful settings, especially if there's elements of space/time/reality warping as well. And many other things, too, of course! That list is just in case something sparks an idea.

( Opt-in Tags )

( General Art Likes )

( General DNWs )

( Caught in Crystal - Patricia Wrede )

( Dark Tower - Stephen King )

( Dragonriders of Pern - Anne McCaffrey )

( Marvel 616 )

( Piranesi - Susanna Clarke )

( The Stand - Stephen King )

sholio

This season continues to be definitely Something.

( Spoilers )

snickfic

Texas Chainsaw Massacre (1974). A group of hapless twenty-somethings wander into a farmhouse in rural Texas hoping to buy gas for their van and are picked off one by one by the home's very large nonverbal resident, who wears the skin of a human face for a mask.

I got to see this in the theater, which IMO is definitely the way to go for this one. It does a great job building tension from the very beginning. For all its raw filmmaking approach, I felt the movie had a surprising amount of ambition in terms of both background themes (city vs country, the way technological progress can disrupt people's lives) and this recurring idea of, like, a sense of cosmic apocalypse brought on by the alignment of the stars and planets. The sun as a malign figure wreaking havoc on humanity. The movie goes way harder than it needs to do to succeed as an exploitation horror film.

I was surprised by how little of the actual story I'd osmosed from hearing about the movie over the years. For example, I had no idea that of the little friend group of victims, the one with by far the most lines and personality is a guy in a wheelchair, which honestly felt pretty progressive. His mobility is a significant element of his character throughout the film without being a plot point, and I appreciated that. The movie also leans more into black comedy than I expected. Leatherface lumbering around chasing people with the chainsaw is some pretty good physical comedy, actually!

I also had not realized just how sympathetic a character Leatherface is. He's clearly upset about these people just walking through his front door and wandering around his house. After the second or third one, he sits in his living room, surrounded by taxidermy and bone furniture, and puts his head in his hands, like why is this happening to me!! He also doesn't seem to have any malice towards his victims. There's a whole backstory of how his family used to kill cows at the slaughterhouse, and he treats the tresspassers like cows. But once he and his family has captured the final girl alive and tied her up at the dinner table, he dresses up for dinner! I feel like these details sound like I'm being sarcastic or making fun, but genuinely I liked him a lot and felt sorry for him, especially in the context of how his family members treat him.

Overall a good time. Would watch again.

--

Honey Don't (2025). In the second in Ethan Coen's "lesbian B-movie trilogy," Margaret Qualley stars as Honey, a neo noir private eye investigating a death that may or may not be connected to a creepy local church pastored by head creep Chris Evans.

I had a great time with this movie until I didn't. It's 2/3 of a very fun movie in which Margaret Qualley is a really hot PI, and then 1/3 of a very annoying movie in which she is those things, so at least you get really hot Margaret Qualley the whole time. The plot barely counts as one; this movie is running entirely on vibes. For most of the movie it's unclear whether a crime has even occurred. Fortunately the vibes are excellent. Yes, I DO want to watch Qualley show off her long legs in dressy casual slacks and heels while kicking ass, taking names, and having lesbian one-night stands. She did the job she needed to do in The Substance, but she is absolutely magnetic in this. On the other hand, the ending is nonsense AND made me mad, the worst combo.

I can't believe I'm saying this, but Chris Evans the cult leader was a disappointment. Between this and Bad Times at the El Royale, I'm 0/2 on Avengers-turned-cult-leaders. (Has Ruffalo been one? He seems the likeliest. Does his role in Mickey 17 count?) The pastor's plotline also turns out to be completely irrelevant, and the whole thing where his church is a front for a drug running business funded by "the French" is just signature Coen quirkiness, I guess.

OTOH, I think Charlie Day has finally aged into roles I can enjoy him in. So there's that.

Honestly this movie needed another writing pass or two and probably should have excised the church plot entirely and come up with a new, better mystery for Honey to investigate. But if vibes and Qualley are enough of a draw, this might be worth your time.

--

Biosphere (2022). Sterling K Brown and Mark Duplass are childhood friends who live in a tiny dome they can't leave after the rest of Earth and humanity has been destroyed.

This is the purest two-man show I have seen in movie form in a very long time. It has exactly one set (broken up into various pieces, but still) and exactly two actors, who are clearly what all the tiny budget went toward. It is a science fiction comedy/drama thing about, idk, hope and resiliance and male friendship.

A movie like this lives or dies by the chemistry between its leads, and Brown and Duplass are great together. There are many funny bits, enough honest emotion to keep me hooked, and various plot developments that I enjoyed. (Gotta love when you quote a famous movie line and then five minutes later the character ALSO quotes that line.) I also just respect the hell out of this kind of barebones, microbudget moviemaking. You see it a fair bit in horror (such as Duplass's project Creep), but less in other genres.

osprey_archer

As the Newbery Project draws to a close, I’ve been preparing some posts about my reading, and I thought I’d start out by answering a few… well, I can’t exactly call them “frequently asked” questions, as the only one people have actually asked is the one about dead dogs. But, anyway, these are questions with important background information.

What is the Newbery Award, anyway?

Every year since 1922, a committee of librarians has selected “the most distinguished contributions to American literature for children” to receive the Newbery Award. The first prize winner gets the Newbery Medal, while the runner-ups have since the 1970s been called Newbery Honor books. It’s the most prestigious writing award for American children’s literature. (The counterpart award for illustration is the Caldecott.)

What’s the Newbery Project?

The Newbery Project started when I was about eleven and decided to read all the books that had won the Newbery Medal. (The Newbery is the highest award in American children’s literature. It was first awarded in 1922 and has been going strong ever since.) The project eventually fizzled out, as children’s projects do, but in my mid-twenties I resurrected it and completed it.

Then it occurred to me that I could extend the project to include all the Newbery Honor books, which is the name given to the books that are the runners-up to the big medal. A few years, there were no runners-up, and some years there were as many as eight. Most years there are three to five runners-up. I had read a pretty good number of them as a child, so I had about 240 Newbery Honors books left to read.

Two hundred and forty books! Who wants to read two hundred and forty books about dead dogs?

(For my non-American readers, the Newbery award is famous in America as the dead dog award, because there have been a few very famous winners featuring the tragic death of pets and/or best friends. Bridge to Terabithia may have been partially responsible for the fizzling of the first go-round of my Newbery project.)

Actually, the dead dogs are fairly recent. The first dead dog in a Newbery winner appeared in Fred Gipson’s Old Yeller in 1957, but that was an outlier. Until 1970, pretty much everyone lives, both dogs and relatives. After 1970 it’s open season on friendly animals and sickly grandparents until the 2000s, at which point the Newbery awards focused more intently on dead relatives.

Two hundred and forty books is still nuts. Why did you do this to yourself?

Because I love children’s books and history, and it turns out that reading the Newbery books are a fantastic way to explore both. The Newbery committee has consistently selected a lot of historical fiction and historical nonfiction (especially biographies) since the beginning, and of course the earlier books are fascinating historical artifacts in their own right at this point.

Are there any overarching themes among the Newbery books?

Beyond history in general, the Newbery awards are particularly interested in American history and more generally the construction of American identity. There’s also an ongoing interest in the history of liberty, the latter of which means, for instance, that two separate William Tell retellings have won Newbery Honors.

There’s also a strong and ongoing interest throughout the history of the award in tales of children from around the world. This reflects both children’s tastes (before children’s literature became its own category, travel narratives were a recognized favorite reading material for children), but also a reflection of the ideal of the “Republic of Childhood,” popularized in American literature by Mary Mapes Dodge in St. Nicholas Magazine, which argues that children in all times and all places are similar to and interested in each other, purely by virtue of their shared childhood.

sholio

Hide and Seek (5088 words) by Sholio
Chapters: 1/1
Fandom: Murderbot (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Murderbot & PreservationAux Survey Team (Murderbot Diaries)
Characters: Murderbot (Murderbot Diaries), Dr. Mensah (Murderbot Diaries), Dr. Gurathin (Murderbot Diaries), Dr. Ratthi (Murderbot Diaries), Pin-Lee (Murderbot Diaries), Dr. Arada (Murderbot Diaries), Dr. Bharadwaj (Murderbot Diaries)
Additional Tags: Friendship, Post-Canon, Banter, Fluff, Team Bonding, Hide and Seek, background tv-verse canon pairing (pin-lee/arada)
Summary: Murderbot thinks its humans need more practice not dying under field conditions. The answer is obviously a staged war game, modified for Preservation concerns. (TV-verse with a few minor book elements.)

Apparently I need to write something like this in every fandom I'm in that has some kind of organized team.

tozka

Life Updates

Overall I feel really good! There’s the creeping sense of dread re: finances which pops up every month or so, but otherwise I’m excited for the next few months of travel/catsitting.

I think it’s helped that I’ve been regularly going outside and walking for ~45 minutes every day. I’m really bad about doing that normally, but this neighborhood is good for walking and has enough interesting things to look at that I don’t feel bored. My Health app even says my step count is about double what it was last month!

I’ve also been venturing into some of Ann Arbor’s nature preserves, which are much hillier than I expected. Very beautiful trees, though! And usually not too crowded, so it’s peaceful.

( Read the rest of this entry » )

Crossposted from Pixietails Club Blog.

skygiants

Once upon a time, I read Exiled from Camelot, the novel-length Sir Kay angstfic by Cherith Baldry that Phyllis Ann Kar politely called 'one of the half-best Arthurian novels that I have yet read,' and then launched it off to Be Experienced by

osprey_archer and

troisoiseaux.

Now my sins have come back upon me sevenfold, or perhaps even fifteenfold:

troisoiseaux has discovered that, not content with the amount of hurt and comfort that she inflicted upon Kay in exiled from Camelot, Cherith Baldry has written No Less than Fifteen Sad Kay Fanfics and collected them in a volume called The Last Knight of Camelot: The Chronicles of Sir Kay.

This book has now made its way from

troisoiseaux via

osprey_archer on to me, along with numerous annotations --

osprey_archer has suggested 'drink!' every time Baldry mentions Kay's 'hawk's face,' which I have not done, as I think this would kill me -- to which I have duly added in my turn. I am proud to tell you that I was taking notes and Kay only experiences agonized manly tears nine times in the volume. That means that there are at least six whole stories where Kay manages not to burst into tears at all! And we're very proud of him for that!

The thesis of The Last Knight of Camelot seems to be that Kay is in unrequited love with Arthur; Gawain and Gareth are both in unrequited love with Kay; and everyone else is mean to Kay, all the time, for no reason.

troisoiseaux and

osprey_archer in their posts have both pulled out this quote which I also feel I am duty-bound to do:

"Lord of my heart, my mind, my life. All that I'll ever be. All I'll ever want.”

He had never revealed so much before.

Arthur leant towards him; there was love in his face, and wonder and compassion too, and Kay knew, his knowledge piercing like an arrow into his inmost spirit, that his love, this single-minded devotion that could fill his life and be poured out and yet never exhausted, was not returned. Arthur loved him, but not like that.

He could not help shrinking back a little.

However, I also must provide the additional context that this tender moment is immediately interrupted by the ARRIVAL OF MORGAUSE, TO SEDUCE ARTHUR, TO MAKE MORDRED, leading me to believe that Baldry is suggesting that if Kay had instead seized the chance to confidently make out with Arthur at this time, the entire doom of Camelot might have been averted. Alas! instead, Arthur dismisses Kay to go hang out with Morgause, it all goes south, Arthur blames Kay for Some Reason, and Kay spends a week on his knees in the courtyard going on hunger strike for Arthur's forgiveness until he collapses on the cobblestones and wakes up to a repentant Arthur tenderly feeding him warm milk.

If the stories in this volume are any judge, this is a pretty normal week for Kay. I also want to shout out

- the one where Lancelot and Gaheris set up a Fake Adventure for Kay to prove his courage, which destroys Kay emotionally, and kitchen-boy-squire Gareth runs after him and tries to swear loyalty to him and ask Kay to knight him, but Kay is like "you cannot AFFORD to have Kay as a friend >:(( for your knightly reputation >:(((" and Gareth shouts "you can't make me your enemy!!" and then Lancelot finds them arguing and is like 'wow, Kay is abusing this poor kitchen boy' and sweeps the lovelorn Gareth away, leaving Kay's reputation worse than before
- the one where Arthur gets kidnapped by an evil sorcerer who demands Excalibur as Arthur's ransom, and then Kay decides to try and trick the evil sorcerer with a Fake Excalibur even though Lancelot is like 'FAKE Excalibur? that's a LIE and DISHONORABLE,' and then Kay rescues Arthur from being magic-brainwashed by pure power of [brotherly?] love, and as soon as their tender embrace is over Arthur is like 'wait! you brought a FAKE Excalibur? that's a LIE and DISHONORABLE'
- the one where Kay is accused of rape as a Ploy to Discredit Arthur and has to go through a trial by ordeal where he walks over hot coals while on the verge of death from other injuries and Gawain flings himself into the fire to rescue him but it turns out it's fine because Kay is So Extremely Innocent of the Crime that they both end up clinging together bathed in golden light that heals their injuries

Again: FIFTEEN of these. Baldry is truly living her bliss and I honestly cannot but respect it. The book is going to make its way back from here whence it came, but if anyone else is really feeling a shortage of Kay Agonies in their life, let me know; I'm sure an additional stop would be welcomed as long as whoever gets it pays the annotation tax.

troisoiseaux

Saw Signature Theatre's production of Play On!, a Twelfth Night-inspired musical set in 1930s Harlem and featuring the music of Duke Ellington— I really enjoyed this! It isn't a one-to-one adaptation of Twelfth Night: there's no Sebastian or second-act twin shenanigans, just aspiring songwriter Viola disguising herself as "Vy-Man" so her music will be taken seriously, so Olivia - here Lady Liv, an Ella Fitzgerald-esque singer and muse to pining band leader Duke (Orsino) - ends up with the Malvolio character - her manager, Rev - after his disastrous attempt to win her over via his makeover as a "hip cat" makes them realize they both want someone who sees and accepts their real self; the show consolidates other characters (Sir Toby and Sir Andrew became one character, Sweets, married to Lady Liv's dresser Miss Mary) and adds a love interest for tap-dancing man-about-town Jester (Feste), apparently mostly so Sweets and Jester could bring the house down with a performance of "Rocks In My Bed" as a sloppy-night-at-the-bar lament after both screwing up their respective relationships. The theater space was rearranged to feel like its Jazz Age nightclub setting, with the audience seated at tables around the stage - the aforementioned "Rocks In My Bed" scene started with the actors plopping down at a table and singing their woes directly to a delightfully game audience member, who nodded along sympathetically - and the band played from the on-stage balcony.

This is actually the second Twelfth Night I've seen this year— it seems to be having A Moment?? There was a reading with an entirely trans and non-binary cast for London Pride earlier this year, and NYC's Shakespeare in the Park is currently doing it (which a friend of a friend saw and I'm so jealous, because it has an INCREDIBLY stacked cast: Lupita Nyong'o! Sandra Oh! Peter Dinklage!), and I think it's also on at the Globe right now??? Anyway, back in May, I saw the Folger Theatre's Twelfth Night, a gleefully queer, raunchy, also semi-musical production featuring a non-binary actor as Orsino, the Sebastian-and-Antonio storyline played as expressly romantic, and fight scenes with sex toys instead of swords; Malvolio's cross-gartered makeover took him from Tim Curry in Clue to Tim Curry in Rocky Horror.

selenak

I used my time in GB to acquire a lot of books as well, of course. Some of which were:

Ian Leslie: John & Paul. A Love Story in Songs. No prices for guessing whom this is about. The songs of the title are 43, all in all (the majority of which but not all hail from the Beatles era), used and explored as sign posts to where John Lennon and Paul McCartney were in their respective lives and emotional development.

( Spoilers get by with a little help from their friends. )

Sean Lusk: A Woman of Opinion. Which is a novel about the fascinating Lady Mary Wortley Montagu, Georgian wit, poet and travelogue, whose most famous work I reviewed here.

( Spoilers have indeed opinions alore. )

and lastly, a pictorial postcript to my Born with Teeth review:

Current Location: Munich

muccamukk

Humble Book Bundle: Martha Wells' Murderbot and More by TOR (pay what you want and help charity):

This multi-Hugo Award-winning series includes standout titles like All Systems Red and Artificial Condition. Plus, a portion of your purchase helps support World Central Kitchen.

The full bundle includes all of the Murderbot novellas and novels plus two short stories, the two stand-alone fantasy novels, Witch King, the first two Ile-Rien novels, and the middle-grade adventure novels. Doesn't include any Raksura novels or the Ile-Rien trilogy (which I guess Tor doesn't have the rights to yet?). Obviously doesn't include the tie in novels.

I already own all of these, but it's a good deal if you don't!

Should be available for the next three weeks.

Works in the US and Canada, not sure where else.

ruuger

I've had pretty much zero inspiration to write for the last few years, partially due to RL being what it is, and partially because I'm again in the downturn of my fannish cycle¹ because season 3 of The Mandalorian failed to rekindle my fannishness, and the other Star Wars shows have been very hit and miss (my very unpopular Star Wars opinion is that Andor was the biggest miss for me).

At the beginning of this year I came up with this idea that to avoid distractions, every Saturday I take the bus to a library 40 minutes away at the other side of the city, and sit down in one of their workspaces for 4-5 hours with an energy drink and a laptop, and just write. Which has been very successful strategy, because in the last 6 months I have actually finished (very rough) first drafts for two novels and edited three short stories.

Now, I've been mostly writing orig fic, but today I forgot to take with me the printed notes for the novel I'm starting the next edit round on, and decided to work on some fic instead. And I actually wrote something! In fact, I took three very rough fic drafts and edited them to a more or less read-to-post state.

I say more or less, because all three are missing endings. Because apparently I cannot write endings anymore. The actual plot (and by plot, I mean Din Djarin recovering from whatever head injury I've inflicted on him) has been resolved, heartfelt confessions have been made, and then nothing.

Here is a gif illustration of how the stories now end:

Tonnin seteli

I'm very close to just going "And then the kissed. The End." just to get these stories off my WIP folder...

¹I don't think I've ever talked about it here, but I've documented a pattern in my fannishness that I can sustain it for exactly two years since the most recent bit of canon that I've enjoyed. After that, my brain sort of starts to lose interest - not in a way that I'd like the canon itself any less, but that the fannishness for it requires active effort instead being constantly at the back of my mind.

skygiants

genarti and I both recently read Leonora Carrington's 1974 surrealist novel The Hearing Trumpet, about a selectively deaf old lady whose unappreciative relatives put her into an old age home, where

( various increasingly weird things happen, cut in case you want to go in unspoiled )

Beth found the pace and tone of plotting very Joan Aiken-ish and I have to admit I agree with her.

BETH: But I understand that The Hearing Trumpet is like this because Carrington was a surrealist. Is it possible that Joan Aiken was also a surrealist this whole time and we've simply not been looking at her work through the right lens?
ME: I don't think her life landed her in quite the right set of circumstances to be a surrealist properly ... I think she was a little too young when the movement was kicking off .... but I do think that perhaps she believed in their beliefs even if she didn't know it ....

Anyway, The Hearing Trumpet is in some ways has elements of a classically seventies feminist text -- she wrote it while deeply involved in Mexico's 1970s women's liberation movement, and the whole occultist nun -> holy grail -> icepocalypse plot has a lot of Sacred Sexy Goddess Repressed By The Evil And Prudish Christian Church running through it -- but Marian Leatherby's robust and and opinionated ninety-year-old voice is so charmingly unflappable that the experience is never in the least bit predictable or cliche. My favorite character is Marian's best friend Carmella, who kicks off the book by giving mostly-deaf Marian the hearing trumpet that allows her to [selectively] understand the things that are going on around her. Carmella plays the role often seen in children's books of Friend Who Is Constantly Gloriously Catastrophizing About How Dramatic A Situation Will Be And How They Will Heroically Rescue You From It (and then I will smuggle you a secret letter and tunnel into the old-age home in order to avoid the dozens of police dogs! etc. etc.) which is even funnier when the things that are actually happening are even weirder and more dramatic than anything Carmella predicts, just in a slightly different genre, and then funnier again when Carmella shows up towards the end of the book perfectly suited to surviving the Even Newer, Weirder, and More Dramatic Situations that have Arisen.

The end-note explains that Carrington based Carmella on her friend Remedios Varo, a detail I include as a treat for the Varo-heads but also as an illustration of how much the novel builds itself on the connections between weird women who survive a largely-incomprehensible world by being largely incomprehensible themselves. Carrington herself was in her late fifties when she wrote this book, but she too lived into her nineties; her Wikipedia article describes her in its header as "one of the last surviving participants in the Surrealist movement of the 1930s." It's hard not to inscribe that back into the text in some way, which is of course an impossible reading, but one does like to imagine the ninety-year-old Carrington with just as much presence as the ninety-year-old Marian.

sholio

Watched the first couple of episodes of the new season!

( Spoilers )

If you're watching it, no spoilers beyond episode 2, please!

beatrice_otter

So my

rarepairexchange assignment did not show up in my email inbox! It did show up

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